“Mutabilities” in Mudlark: An Electronic Journal of Poetry and Poetics
“Ms. Nasturtium Had Run Out of Halibut” and “Mouse Offers Advice as Fish Adapts” in Dr. Hurley’s Snake-Oil Cure
“Wortcunning,” “Brigid of the Birds,” and “Opal Whiteley Mourns the Loss of One of Her Flitter-Mice” in NILVX: A Book of Magic
“Syssigy” in Gargoyle Magazine
“The Dead Queens of Cockerham” in Arsenic Lobster
“Lady Jane and the Velvet Underground” in Rhino
“In Which the Countess Bathory Feels Her Age” in 805 Lit + Art
“Poems Based on the Life of Frida Kahlo” in Caveat Lector
“Little Hermit Sphinx” in A capella Zoo
“Devil Girl from Mars,” “The Snow Queen’s Story,” and “Co-Dependent God Poem” in North Carolina Literary Review
“Leonora in the House of Nin,” “In the Waiting Room with Anais, 1942,” “Red Vision,” and “Catwoman: Leonor Fini” in The Medulla Review
“Secret Garden” in Hermeneutic Chaos Literary Journal
“Palaestra” in Bone Bouquet
“Fitcher’s Bird” in Stirring: A Literary Collection
“Wunderkammern” in Chiaroscuro (ChiZine)
“Still Life with Self” in The Laurel Review
“For Crying-Out Frogs” and “Crescentia, Alone, Then” in Segue
“A Masque” and “The Mermiad Scum” in The Sow’s Ear Poetry Review
“Eine Kleine Nachtmusik” in Word Riot
“At Glenn Clare” in The Hurricane Review
“Ode to an Expiring Frog” in Opium Magazine: An Infinite State of Wonder
“Zenobia in the Garden” and “La Mort among the Nasturtiums” in Otoliths
“Skinflower” in Pedestal Magazine
“Transformation at the Botton of Moomaw Lake” in The Golden Key: A Speculative Literary Journal
“Why the Mama Put the Girl Who Is Not Opal Under the Bed” in Elsewhere Lit: A Journey of Literature and Art
“Opal Writes to Fairies” and “A Defense of Opal Whiteley” in Life and Legends
“The Corpse Is Not Exquisite (when it rots),” collaboration with Maureen Alsop in They Said: A Multi-Genre Anthology of Contemporary Collaborative Writing
(Black Lawrence Press)
“Father Radium’s Daughters” in Lissa Kiernan’s Glass Needles & Goose Quills
(Hales Publishing)
“Gargoyles and Phantoms” in Best of the Sucks: High-Octane Poetix from the Legendary Toad Suck Review
Brenda Mann Hammack 